Structural Accidents

Structural Accidents, installation view, Silver gelatin print, 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 50.5x61 cm, 2024
Structural Accidents, installation view, Silver gelatin print, 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 50.5x61 cm, 2024
Structural Accidents, installation view, Silver gelatin print, 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 50.5x61 cm, 2024
Structural Accidents, installation view, Silver gelatin print, 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 50.5x61 cm, 2024
Structural Accidents, installation view, Silver gelatin print, 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 50.5x61 cm, 2024
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, installation view, Silver gelatin print, 2 x 50.5x61 cm, 2024
[Installation view] Silver gelatin print, 2 x 50.5x61 cm, 2024
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Structural Accidents, photograph by Diego Brambilla
Something is built, photographed, and taken apart. What remains is the photograph — and a method. Structural Accidents departs from Italo Calvino’s Invisible Cities, not as illustration but as combinatorial logic: the same pool of salvaged materials returns again and again, dismantled and rebuilt into forms that exist only for the moment of their capture.
The materials come largely from packaging — moulded foam, polystyrene, tape — made to protect goods in transit and thrown away after one use.
The distance between the world and the image is widened on purpose: sketch to object, object to negative, negative to inter-negative, inter-negative to a print on fibre-based paper. Each step loses something, until the final photograph barely resembles what it came from.
Read text by Daniel Blochwitz Artists' book: 11 Stations